The same thirty-five historical paintings of Eve as Study of Eve, here aligned on narrative placement rather than on the body. Each source keeps its position in its own picture, so the figure recedes under the accumulated architecture of her iconography: a rectilinear archive closing over the organic form, all but the subtlest texture of her presence dissolved. Edition of 10.
Companion essay: How to See Eve. Showing in Eve Song — A Happening, University of Pretoria (July–August 2026), curated by Sue Clark. Framing by Ryan Hitchcock, The Art Room, Parkhurst.