Poetry Changelog: Thematic & Stylistic Mapping of Selected Works

A non-linear index of poetic works, mapped by recurring gestures, tone, form, and conceptual focus.


I. Poetics of Perception & Epistemic Tension

returnRelation() (2025)
Syntax-driven ontology via code; poetic recursion on ethics, visibility, and authorship.

  • Themes: authorship, ethical recursion, mirror/obfuscation, language-as-structure
  • Stylistics: code metaphors, fragmentary logic, declarative lines
  • Keywords: return relation;, if (consent) => 'be kind';, grand narrative, lens

Smoky Mirror / Rokerspieël (2025)
Bilingual meditation on clarity and concealment; seeing and being seen.

  • Themes: perception, paradox, poetic mirrorwork
  • Stylistics: dual-language interplay, tonal shifts, symmetry/asymmetry

Typoetry (2002)
Semiotic terrain mapped as digital scatter; syntax and structure disassembled.

  • Themes: techno-fragmentation, visual data, poetic noise
  • Stylistics: info-lyric, beatless staccato, conceptual verse

picturesque (2002)
Wordplay pushed toward breakdown; ironic beauty in linguistic redundancy.

  • Themes: language, protocol, futility
  • Stylistics: enjambment, ironic register, compression

II. Gestures of Intimacy & Fragility

Unthinkable (2002)
Intimate binary of loss/love in a digital syntax.

  • Themes: intimacy, programming language, absence
  • Stylistics: minimal stanzas, embedded logic, variable repetition

Private Roads (?Exposure) (1997)
Exposure as vulnerability; fragmented memory as terrain.

  • Themes: memory, secrecy, physical and symbolic interiority
  • Stylistics: parentheticals, broken pacing, lowercase drift

Lag (1991)
Physical sensation as temporal anchor in joy/pain convergence.

  • Themes: youth, intimacy, impermanence
  • Stylistics: Afrikaans rhythm, sensory compression

dream catcher (2005)
Subversion of spiritual cliché with subtle menace.

  • Themes: magic, disillusionment, play
  • Stylistics: airy-to-tense tonal progression

Man met niks (2025)
Biting, minimalist parody in Afrikaans.

  • Themes: satire, minimalism, social critique
  • Stylistics: clipped rhyme, grotesque humor

III. Performativity, Persona & Social Masking

baroque arabesque (2002)
Ornate sensuality meets ironic detachment.

  • Themes: seduction, persona, beauty-as-armor
  • Stylistics: enjambment, lush diction, ironic echoes

Waitress (2001)
Femininity and service staged through melancholy glamour.

  • Themes: performance, desire, indulgence
  • Stylistics: staged lighting, gesture, still-life framing

Carnival (Icarus) (1997)
Allegorical descent; desire and artifice blur.

  • Themes: spectacle, duality, light/shadow
  • Stylistics: mythic allusion, tonal contrast, allegorical field

Simplicity (1997)
Wry critique of oversharing and emotional concealment.

  • Themes: alienation, emotional containment
  • Stylistics: short lines, controlled flatness, irony

Sometimes (1997)
Momentary beauty as a form of grace.

  • Themes: harmony, clarity, ephemerality
  • Stylistics: clean diction, haiku-like cadence

IV. Minimalism & Lyrical Clarity

Fluffy White Clouds (2005)
Optimistic lyric; tonal openness.

  • Themes: peace, surface beauty, lightness
  • Stylistics: plain diction, horizontal movement

Winter Morning Commute (2005–2009)
Austerity and transience observed on a cold city morning.

  • Themes: passage, routine, urban mood
  • Stylistics: spare imagery, rhythm of observation

From the Night (1997)
Gentle evocation of pain and healing.

  • Themes: spirit, scars, resilience
  • Stylistics: spiritual tone, lyrical pacing

Eindoplaas (1990s)
Peaceful surrender at the edge of time.

  • Themes: closure, quiet, finality
  • Stylistics: pastoral lyric, nostalgic imagery

V. Fragmentation, Collapse & Glitch Aesthetics

Burning Meta (2025)
Post-human authorship under erasure.

  • Themes: AI, collaboration, glitch poetics
  • Stylistics: compression, allusion, code-hybridity

Broken (1997)
Loss of creative rhythm and descent into silence.

  • Themes: depression, disconnection
  • Stylistics: broken rhythm, bleeding metaphor

Bleek linne (1990s)
Haunted image of social exclusion.

  • Themes: race, marginality, spectral presence
  • Stylistics: sparse Afrikaans, ghosted imagery

STOP (1990s)
Angelic doom as political critique.

  • Themes: violence, despair, critique
  • Stylistics: jarring syntax, biblical inversion

VI. Mythic & Spiritual Registers

Eksodikus 11:1–10 (1990s)
Biblical poetics in exile and ending.

  • Themes: flight, finality, desert
  • Stylistics: allegorical voice, scriptural cadence

Val (1991)
The beauty and solemnity of descent.

  • Themes: fall, reverence, collapse
  • Stylistics: formal Afrikaans, solemn tone

Sondagmôre (1990s)
Simple grace of Sunday childhood.

  • Themes: innocence, peace, faith
  • Stylistics: nostalgic, elemental

VII. Embodied Gesture & Movement

More Music (1997)
Transformation through rhythm.

  • Themes: recovery, tempo, bodily renewal
  • Stylistics: musical metaphor, pacing

Another Portrait (1997)
Sculptural image blurred into impermanence.

  • Themes: representation, fading presence
  • Stylistics: imagery of dissolution

Leading On (1997)
Approaching death as tonal diminuendo.

  • Themes: mortality, endings, legacy
  • Stylistics: spare tone, terminal cadence

o’speel (1990s)
Playful erotic cadence in Afrikaans.

  • Themes: intimacy, sensuality
  • Stylistics: onomatopoeia, dark tenderness

Appendix: Chronological Cross-Reference

  • 2025: returnRelation(), Burning Meta, Man met niks, Smoky Mirror
  • 2005–2009: Winter Morning Commute, Fluffy White Clouds, dream catcher
  • 2004: Farewell Lionel
  • 2002: Unthinkable, picturesque, baroque arabesque, Typoetry
  • 2001: Waitress
  • 1997: Leading On, From the Night, Private Roads, More Music, Another Portrait, Broken, Carnival (Icarus), Sometimes, Simplicity
  • 1991–1990: Lag, Val, Sondagmôre, o’speel, Eksodikus, Bleek linne, Eindoplaas, STOP, Wals
 

Dated ~ July 2025


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Keywords

thematic index South African poetry poetry creative process code as poetry archive André Clements

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